TPE’s Home Studio setup
About The Podcast Editor
The Podcast Editor was started by George Mocharko (he/him), formerly a tech reporter and a communication consultant when he began getting calls out of the blue from people asking for his help with editing their audio. An early client directed a staffer to send audio files to the podcast editor—meaning send them to George—and the name kind of stuck.
George has been making podcasts since 2009, back in the early days of audio on demand when RSS feeds were new, people listened to them on their iPods, and when the audio quality and production values weren’t of the same quality we hear today.
After starting his radio show and podcast DC Entrepreneur in 2015, he began purchasing recording equipment so that he had a fully-functioning home office to edit podcasts from, along with investing in field audio equipment. After wrapping the final season of his show in 2020 and stepping away from the mic to help with the behind the scene production work, he’s been helping edit other people’s audio, performing tape syncs, participating in community audio-maker events, and helping people launch their podcasts.
As an independent producer and audio editor George is a member of AIR Media. He is available to edit audio for clients remotely from his home studio and charges clients based upon AIR's Rate Guide. You can find George’s production credits on Podchaser.
Let George Do It!
George can help you start a podcast, edit your content, manage production of an existing show, or help you find the throughline in your many hours of tape. You can hear his mixing work as the post production editor of the first season of the Code Story podcast hosted by tech entrepreneur Noah Labhart. He's consulted for The Economic Club of New York and The Bulwark, performed field recording for AUSA’s Army Matters Podcast, and edited The Real Recruiting Story The NY Launch Pod podcasts.
His presentations include speaking about podcast editing at Podcast Movement in 2024, how to Podcast on the Cheap at DC Podfest, and at the DC Public library for Knowledge Commons DC.
DAWs Used:
George primarily edits in Adobe Audition, but he has access to Avid ProTools, Audacity, Hindenburg, Ableton Lite, Reaper, and Logic Pro X, software on his iMac. Plugins he uses include iZotope RX 7 audio restoration, Celemony Melodyne, FabFilter Pro-Q 3 Equalizer, Waves Kaleidoscopes, and Supertone Clear.
Gear owned:
Zoom H6 Handheld Recorder
Shure SM7-B (1)
Shure SM58 (2)
Shure SM57 (1)
Rode NTG-2 with hand grip
iRig lav mics (2)
Triton FetHead preamp
Sony MDR-7506 Headphones
Sony MDR CD-900ST Studio Monitoring Headphones
KRK Rockit 5 Studio Reference monitors w/ stands
Scarlett 2i4 DI
iZotope RX 7 Standard
Behringer XENYX portable mixer
FabFilter ProQ 3 EQ plugin
Celemony Melodyne
Reason 11 lite (Reason+ subscription)
Microphone stand w/ boom pole
Boom arm for Microphone
Music stand with light and clip
AKAI MPK Mini midi keyboard
Novation Launchpad mini
Canon DSLR camera
Blackmagic Pocket Cinema Camera 6K G2
3 Studio lighting umbrellas and reflector, 1 table top ring light
Movo Boom pole 8' with Blimp windscreen
Tripod and Monopod for camera or recorder
Descript subscription
SquadCast subscription
Auphonic subscription
Knowledge acquired and training:
Throughout George’s podcast journey, he has been the beneficiary of knowledge shared from various industry professionals. Grateful for this instruction, these include trainings such as:
Art of the Scene workshop with Rob Rosenthal of the Sound School podcast through Radio Bootcamp
TV Series Day Story One-day Character Analysis Seminar in NYC, by master of story Robert McKee
Mentorship Program with Fred Dews, Senior Multimedia Project Manager of Brookings Institution through The Podcast Academy
How to mix - for producers with Rob Byers of Final Final V2, Vox and APM & formerly NPR Training through Radio Bootcamp
Mixing Audio with Plugins: iZotope RX audio restoration with Kevin O’Connell of Descript through PRX’s Podcast Garage
Editing for Editors: Story Editing with Karen Duffin through Radio Bootcamp
So You Want to Talk To Strangers: Interviewing Skills with Lauren Ober of WAMU
Making a High-Level Chat Cast: Training with John Asante (WNYC, The Takeaway) through Radio Bootcamp
Hearing is Believing: An Audio Documentary Intensive with John Biewen, Scene on Radio, at Duke University’s Center for Documentary Studies
Podcasting & the Art of the Interview: Taught by Hrishikesh Hirway of Song Exploder via Atlas Obscura
Music Recording Mentoring from Ben Mellott of Nothing but Noise Studios
Studio Sound Design: Principles of Acoustics and acoustical properties of construction materials, Richard Demy, Northern Virginia Community College
Adobe Premiere Pro 101 taught by Kiri Roberts through Manhattan Edit Workshop
Documentary Filmmaking From A to Z taught by Adele Schmidt, Artistic Director of Docs in Progress
Intro to Documentary Production & Get Great Interviews taught by Sam Hampton at Docs in Progress
Audio Mixing Masterclass: taught by audio engineer Jim Bloch at Arlington Independent Media and Avid ProTools editing with Jackie Steven
Analyzing/Presenting Data/Information design strategies single-day workshop by Edward Tufte
Analysis of Megahit Movies Story Design and Screenwriting Class by Richard Michaels Stefanik
Various classes through SoundPath in affiliation with AIR
Conferences Attended:
Third Coast Audio Festival, Chicago, IL, 2019 AIR Representative
On Air Fest, Brooklyn, NY 2019
Podcast Movement, Chicago, IL, 2016; Anaheim, CA, 2017;
Philadelphia, PA, 2018, Evolutions Las Vegas, NV, 2023;
Speaker, Podcast Editing 101, Washington, DC, 2024DC Podfest, Speaker, Podcasting on the Cheap,
Washington, DC 2016, 2017Resonate Pod Fest, Richmond, Virginia 2022 & 2024
George was trained and certified to use Arlington Independent Media’s LEDE studio available for rental where you can record audio using Avid ProTools through an iMac using a Raven MTX console. The studio has two Genelec Studio monitors, a large television screen, and up to 6 pairs of headphones and 6 XLR input lines to record. There is also an audio rack which uses a Universal Audio Apollo digital to analog audio converter, several AKG C-214 condenser mics or two AKG C414s, with both floor and table mic stand configurations available. This setup is perfect for music, voice-over work, or time code syncing and editing in Adobe Premiere. AIM’s commercial rates can be found here.
AIM STUDIO IS CURRENTLY CLOSED.